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The musical score does not have to rely just on its insert songs to get a high grade this time around, as its space opera themes suitably enhance the “computer duel” episode and more subtle themes evoke appropriate mood elsewhere. The same could also be said of the always-appealing artistry and crisp animation, which occasionally takes some shortcuts but goes all-out on detail in feature scenes. It even uses multilayered animation, such as the scene where Kyon and Itsuki are talking while the crowd goes wild behind them. The visuals so carefully avoid fan service to that it becomes a joke, unless you qualify high school girls in sharp maid outfits or Haruhi back in her bunny suit at fan service.
Also, at one point late in the book, a quirky personage wearing eyeglasses and a cape hops down from a tree and accuses Karin of taking away his reason for living. He was a once-divine antagonist of some sort from the previous storyline, this much is clear, but you learn nothing else about him. Karin does not even address him by his real name! This bit of plot about “Glasses Man” just dangles alone in the atmosphere, completely unattached to other events in the new series. There is really no recap of the plot thus far anywhere in the first volume, and allusions to what happened before are frustratingly coy and vague.
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