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Usually shows about dedicated robot maid characters wind up being disgustingly sexist manifestos that unwittingly espouse a message about subservient women being superior. Chobits started out this way, and could have become another casualty a'la Mahoromatic, but with these final episodes (and, indeed, the last 3 discs or so of the series), the show redeems itself and takes another route.
When I imagine someone casting about for an appropriate appellation for the second season of Vampire Knight, I imagine them opening an English dictionary, the pages flipping naturally to the Gs and a little pencil of light piecing the clouds to highlight the word "guilty." Vampire Knight is all about the guilt, be it the lakes of it that the protagonists bleed when their adolescent emotional fumblings accidentally cut too deep, or the lakes we bleed for enjoying theirs. The problem with this volume is that there isn't enough of it. The increasingly complicated plot has too few guilt-making developments of any variety. Until, that is, it introduces a volume-end twist that puts us straight back on the guilt train. First class. With benefits.
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