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That's frustrating. Vicarious wallowing, intricately woven webs of wonderfully unhealthy affection, floods of overwrought angst—these are Vampire Knight's strengths. Just look at the series. Its characters look their best when sulking or slinking moodily through its equally moody architecture. Its ravishing score casts an opulent spell under which it is all too easy to accept teen angst as truth.
Sumomo is suitably annoying; the Japanese voice was ridiculously cutesy and the English voice follows suit, albeit with less successful results. A lot of the background characters and female voices are disappointingly generic and don't add much in terms of quality to an already-struggling dub. The Japanese voices might be better, considering the level of performance, but then you'd miss out on Freeman's excellent voice work.
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