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Similarly, Viz's awkward dub is at its most painful when flubbing the series' delicate emotional constructs. You could fill a ledger with the dub's shortcomings: the way it loses Aido's emerging strength of character, the way the little-girl voice that haunts Yuki sounds strangely cheerful rather than hauntingly fragile. But where the dub really hurts is when the cast fails to sell the series' melodramatic conceits. Which, since there are fewer of them here, isn't as often as in volumes past. Often enough to make subtitles the preferred option, though.
The animation is produced by MADHOUSE, a studio with a reputation for quality that has a tendency to drop the ball about halfway through any given series. A viewing of their wildly popular TV effort Trigun shows that their animation quality goes up and down inconsistently. Chobits, animated digitally, is a fluid and beautiful affair that only cuts corners at opportune and appropriate moments. There's nary an awkward moment in the animation. The music is also appropriate and catchy; the new ending theme is a welcome variation from the last one, which was a little dull and didn't adequately reflect the more melancholy and serious tone of the end of the series.
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